I used to read science fiction for entertainment, and for cerebral stimulation. By ‘science fiction’ I don’t mean all that Star Wars stuff – ‘Cowboys and Indians’ transposed to a different time and place; but the sort that makes you think: ‘What If’…; and so on.
I was led into SF via the Eagle comic’s Dan Dare: Pilot of the Future, which was, to be honest, a little bit Cowboys and Indians-y’, or rather Britain versus the Nazis-y: the Treens representing the Germans, the Mekon a kind of green Hitler, Dan a public school-educated Spitfire pilot, Digby his salt-of–the-earth working-class batman, and space ships modelled on Wellington bombers shorn of their wings. But how else could we imagine them all, so soon after World War II? (The first issue of the Eagle came out in 1950, when I was nine. I still remember my excitement when it dropped through our letter-box.)
Nonetheless, crude and relatively unimaginative as it was, Dan Dare made one aware of alternatives: different sorts of people, although all with recognisably human features: two arms, legs, eyes and so on; vastly different physical environments (Mercury especially); alternative social and political arrangements, albeit again usually reminiscent of earth’s history, especially the Middle Ages; but still exotic enough to stimulate a small boy’s imagination. And in my case, to lead me on to the more cerebral stuff in this genre: novels by HG Wells, Isaac Asimov, Robert Heinlein, Olaf Stapledon, Ursula le Guin, latterly Cixin Liu, and others; and to some of the early very political Sci-Fi flicks: Things to Come, Metropolis, The Invasion of the Body Snatchers, The Day the Earth Stood Still, Quatermass and the Pit, The War of the Worlds (1953 version), Forbidden Planet, The Time Machine (1960), The Fly, Them!, Dark Star, The Thing from Another World, Plan Nine from Outer Space (for fun)….and so on. Fellow aficionados will cavil at some of my selections, and at my many omissions; but this list is only meant to exemplify what I mean by ‘cerebral’ Sci-Fi, as opposed to the cowboys-and-Indians sort. I was a huge fan.
Not so much now, I’m afraid. I read far less Sci-Fi nowadays, partly because I’ve got less time to read or watch any sort of fiction; but partly also because present-day reality is starting to give me the same vicarious thrills that Dan Dare’s exploits used to give me as a boy. I’m now addicted to news from the USA, which currently seems as other-worldly as anything I used to read in the Eagle, and consequently as mentally stimulating. (It will appear differently, of course, to Americans.) I don’t need the Mekon, when Trump is around.
Then of course there’s the asteroid (or comet) 3i/Atlas, which has recently come into our solar system from a galaxy millions of light-years away, and may be much older than us. Early reports of it last year raised the interesting possibility that it might be being guided on its journey by intelligence, with many of its course corrections being inexplicable by natural forces – gravity, and the like – and pictured as a kilometres-length rocky cigar, with enough room in it to house scores of aliens, or robots; who perhaps had designs – for better or worse – on Earth. Which of course fascinated an old Sci-Fi buff like me; and especially a historian, who saw his whole subject crumbling into nothing. If an extra-terrestrial object could interrupt history so totally, it would make all our theories about the causes of human progress pointless. Ask any dinosaur who survived the last catastrophic impact from space 66 million years ago. Every dinosaur history written before that time would be worthless.
Now, I don’t believe this about 3i/Atlas; and indeed its Wiki entry (https://en.wikipedia.org/wiki/3I/ATLAS) casts serious doubt on the theory that it really is a piloted spaceship, out either to destroy us, or alternatively to save the world from Trump. But I’m keeping an open mind – albeit open only very marginally (0.1%?) – that it might be something unnatural; and so am following the latest reports on it with the interest I use to devote to Sci-Fi.